Lino Strangis – Brasis, 4:52, 2015



 

 

The title is the Portuguese translation of the plural of Brazil. Not just one Brazil but many, different and yet cohabiting in this great nation: this work is a journey through the many faces of this complex country with many voices evoked in a special mix of audiovisual languages … A polyphonic country of which I have tried to bring out his deep contradictions (which are also a sample of humanity’s contradictions) by working on material found on the web, with 2d and 3d animations made by me and the photos of the well-known anthropologist Massimo Canevacci used in a visionary and very distant way from the didactic approach of documenting.

 

Lino Strangis is a multimedia artist (video art, video installations and video sculptures, virtual realities, performances, 3D sculptures, video-sets, sound art) experimental musician and director (theatre, cinema, TV) born in Lamezia Terme on 19/01/1981, lives and works in Rome and Turin.

Already a multi-instrumentalist musician (acoustic, electroacoustic, electronic, self-built, digital instruments), graduated in Philosophy (Aesthetics), during his university studies, after having had his first beginnings in the field of painting and installations, he identifies the experimental audiovisual arts and search for intermediate as a favourite form of expression.
The digital multimedia artist mainly dedicated to semantic and formal research regarding experimental digital audiovisual composition in all its forms (from simple video-shooting to sophisticated 2 and 3-D animation techniques to virtual realities) also embracing fields such as video sculpture, sound art, photography, 2d and 3d synthesis image, electronic/digital music and experimental electroacoustics often creating multimedia installations in which these languages converge and intertwine in the search for today’s forms of Total Opera … Also active in the field of experimental theatre and performance multimedia since 2015 also creates virtual reality and immersive works through 360 ° viewers.

 

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